Sunday 26 January 2014

Narrative Action (clear-up)


·      Man walks towards door

·      Man holds up key and unlocks door

·      See key coming towards us through the lock

·      Man walks through door and closes it

·      When the man walks in the room he looks at the bags on the floor ready to be set up, he packs them up and leaves them in the same position each time so this is a poignant shot

·      The man then opens the zip of the tripod bag

·      He then takes the tripod out of the bag

·      The tripod opens up, the camera is shooting upwards from below the tripod and the legs are clicked into place

·      He then extends the top of the tripod legs and clicks them into place again

·      The man then walks around the tripod to check everything is in place

·      He then adds the handle on to the tripod and twists it into place

·      After the tripod is set up he makes sure the camera hold is straight so places the ball in the center of the yellow circle

·      Once the tripod is set up he opens the box containing the camera

·      We see the handles of the camera box clicked into place

·      He takes the camera out and puts it onto the tripod, clicking it in to place

·      He then moves to his desk in his room to open some documents on his lap

·      He replies to some emails and then opens a recording application

·      There are many folders on his desk named FOLDER 1, 2, 3, the camera pans across these folders as if it is his P.O.V trying to find the correct folder

·      He attaches the cable to the USB in the laptop which is attached to the camera, this means that whatever he films on the camera will go straight to his laptop

·      Once the laptop and camera are connected he then puts the battery into the camera and also puts the memory card in

·      The camera is turned on

·      The camera lens opens, ECU of lens

·      ECU of man pressing the record button

·      There is a P.O.V shot of the screen turning from standby to record

·      Blackout and title in bold saying ‘THE CAMERAMAN’


No comments:

Post a Comment